Rebecca Jones and Nathalie Pozzi met in the Watermill Center in Southampton, Long Island while working with theater designer and artist Robert Wilson.

Naturally, a discussion around theater and architecture developed – granting each of them a new understanding of their interests in the field.

An initial exchange regarding the work of architect Marco Casagrande led to the discovery of many other architectural projects that embrace performance in their design. This article is the beginning of their larger research into the concept of “performative architecture.”